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| Quick Tip: How to Create a Dubstep Wobble Bass with Subtractor Posted: 27 Jun 2010 05:00 PM PDT When creating Dubstep music, one of the most important instruments is the bass. A lot of Dubstep songs have a wobble bass. This is basically a bass with a filter being modulated in a rhythmic sync with the tempo. Most often you will hear triplets and 8th notes being modulated by an LFO on the filter. In this tutorial, we will cover how to create a bass sound and add the ‘Wobble’ effect in the Subtractor device within Reason. Step 1First create a new project in Reason then add the following devices from the tool window:
You can hide the Mastering Suite and Mixer, as we won’t need them, by clicking the arrow in the top left of each device. Now we need to initialize the patch. (This clears out the default sound) Right click anywhere on the Subtractor and choose: Initialize Patch.
Step 2Now we can start to create our bass sound. First, choose waveform 8 on oscillator 1 and put the pitch up 10 cents. This will create a phase or beat when we turn the second oscillator on because of the difference in frequency. Next, turn on oscillator 2 and change the waveform to a sine wave, drop the octave to 3 and finally turn the FM up to 8.
It should sound like this: Download audio file (bass1.mp3) Step 3The next step is to add the ‘wobble’ effect. We can now turn on our LFO 1 sync button and change our tempo in reason to 70 bpm. This will allow our wobble to sync to a rhythmic value (1/8th notes, 16th notes, etc.) rather than a hertz value. Then turn up the amount of the LFO 1 and change the destination to filter frequency. You can experiment with the different types of waveforms, but I usually just stick with the sine wave.
Step 4Now we should hear a wobble sound, but we need to tweak the filter in order to make it shorter and more ‘whomping’. Put the filter frequency at 47 and the resonance at 24. We can leave it on LP 12, LP 24 is a more drastic filter change, 24db per octave and we don’t need that much. Finally put the FM on the velocity section up to 12. Now it should sound nice and dirty, like Datsik. Download audio file (bass2.mp3) Step 5Now we are going to use the sequencer to input some midi notes for our variation to express how the wobble effect is used. Start by selecting the pencil tool or just hit ‘W’ and draw in these notes: C2, F#1, C2, A#1, F#1. Dubstep usually incorporates either half steps, thirds, and tri-tones in this case or (#4). Lydian-type sound. Step 6The next step would be to add some automation on the rate of the LFO. You can draw in the automation but its much faster to just record it. Start by going back the subtractor and right clicking on the rate knob, under LFO 1. Choose ‘Edit Remote Override Mapping’. Now check the box that says ‘Learn From Control Surface Input’. Then move the knob you want to control it with and click ‘OK. (In my case, I’m using the modulation wheel on my keystation.) Step 7Now you are ready to record your live automation. Right click on the ‘rate’ knob again in the subtractor and choose ‘Edit Automation’, or just option or alt click on the knob. Now a green box should appear around it, this means you know have an automation lane for that knob. Lastly, hit record and modulate it any way you like. The movements will be recorded and you can play back what you’ve done. Download audio file (final.mp3) |
| Posted: 26 Jun 2010 11:05 PM PDT Sorry if I disappoint the Trekkies Google has sent this way, but this article isn’t about learning Vulcan philosophy – it’s about Logic Pro, a digital audio workstation which is part of Apple’s music production suite, Logic Studio. If you’re a Logic fan, let us know why in the comments.
Logic Pro costs around USD$500 and is currently at version 9. It only works on Macs, so if you’re a Windows user your interest may start to wane. If you’re a Mac user, though, this is definitely one to look at. This is our fourth article in the series “Exploring Digital Audio Workstations”. If you’ve missed the earlier articles, you can find them here: So lets get into Logic. History and BackgroundLogic started life as a MIDI sequencer. Its precursor was a pattern-based MIDI sequencer for the Atari ST called Notator, created in the 80s by a company called C-Lab. At that time, Ataris reigned the digital audio world, and Notator was a popular program with good reviews in the press. Then Cubase came out. It’s track-based sequencing became very popular, and Notator’s usage waned. Notator’s programmers decided to fight back, so they left C-Lab and formed their own company, called Emagic. In 1993 they released a new competitive sequencer called Notator Logic, which worked more the way Cubase did. In time the software became known as just Logic, and Windows and Mac OS versions were produced. Logic became very popular. In the early 90s Logic added the ability to record and mix audio in its tracks. Computer were not yet powerful enough to record audio in realtime, so special sound cards or DSP cards were used to achieve this. By the mid 90s, Logic was able to record several audio tracks using Emagic’s Audiowerk interface. A major change happened in July 2002 – Apple acquired Emagic, and shortly afterwards dropped the Windows version of Logic, firmly making it a Mac product. Software company acquisitions can be major upheavals, often signaling the beginning of a downhill slope in a software product. In this case, though, most people seem positive about the change, and believe that Apple have brought a new lease of life to Logic. Then in 2004, Apple brought out their flagship audio product – Logic Pro, which consolidated 20 different Emagic products into a single juicy package. At the same time they released Logic Express, a scaled down product. Around the same time they created GarageBand – based on Logic – to include in their iLife software. My kids play with it regularly. In 2007 they released Logic Studio, and audio suite including Logic Pro. Logic’s features were enhanced, and also its ease of use. Thankfully at this time they also discontinued their copy-protection dongle. Earlier this year, version 9 was released. Logic FeaturesMost DAW programs share a lot of features in common. Sometimes the differences are very subtle, but they’re there. If you have discovered anything that sets Logic apart from its competitors, let us know in the comments. Apple’s New in Logic Studio page lists the following features: Flex Time Flex Time is a collection of features that lets you manipulate timing and tempo quickly and creatively – editing without all the cutting.
Production Tools New production tools allow musicians to tackle any part of the recording, editing, and mixing process they want.
Guitar Gear Now you can mix and match amp heads, EQs, reverbs, speaker cabinets and mics—then creatively route your signal through an impressive new collection of stompboxes.
Live Performance MainStage 2 lets you hit the stage with all the same instruments and effects you used on your recording, and adds a backing track player and live loop recorder.
User CommentsWhat do Logic users think of the product? Here are some comments by users and reviewers that I found around the Net. I'd love to hear from you in the comments too.
Well, they were other people’s comments. Now it’s time for yours. What do you think of Logic Pro? |
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